Rodney Wood "Writing to me means freedom, a place for discovery where I can find out what and how I think, see how the world works, write poems that are alive, human, honest, in a language I understand all within a narrative framework." Rodney…
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LOOKING AFTER THE FIRE
The fire
licks half a tree
and I hear it crackle
like the sound of
mother telling me to stop
playing with myself.
A few days after
her funeral
I made a bonfire
and burnt her handbags,
fur gloves, discoloured
shoes, reading glasses,
bras stained with cancer,
pre war hats and unworn dresses.
I stroked each one before
tossing it into the fire.
THE PROSTATE OPERATION
It's barely morning in the ward
with the sun over the windowsill
dim as hospital soap.
I look at my watch - 5:30
and the cleaners are racing with their mops
to shave the blue lino floor.
With each stroke they smilelike Cool Hand Luke and look across the aisle
at old Mr Forster who's getting out of bed
with his plastic handbag
filling with drips of urine.
After a few minutes he starts shufflingthe frame making so much noise you'd think it was ill.
Mr Forster stops by my bedThis is what you've to look forward too when you're older -
parts that don't workand the channel tunnel stuck up yer privates.
QUARRY
Huts
falling apartrippling with rice,
since the last war.
A fox
yet no sign
of what
I'm looking for -thunder flashes, spent rounds.
Instead I find
little silver coins,
useless things
I throw awayenough to know everything. because I'm young
THIS MORNING ON THE TRAIN
The moon hangs over
the gibbet of morning
as I read some
poems by Feyyaz Fergar.
The phrase a shroud
has no pockets makes
me stop and light
a last cigarette: the
nicotine hits my corpse.
I put the book
away and get ready
for my station but
the train keeps going
in a westerly direction,
unstoppable as the dawn.
XANADU
There's only one way to go. Not westacross Comanche country
where the grass is sharp as rhetoric, but past the recreation ground,
and down Ayling Lane to an off-licence.
It sells wine. Not your ordinaryred, white, sparkling or vintage stuff
but bottles engineered
to produce an Asia of emotions.I usually get some poetry
but someone's just boughtthe last caseload so I'll have
to make do with this
East European stuff,I'm told it's very popular.
HAIKU
When green in judgement
the rose of youth
was in my hair.
THE LEGACY
While Peter Mortimer reads out a poem
and every other line shouts Ted Hughes
I think that in the next room sitting
with tea and biscuits really is Ted Hughes.
As soon as Peter Mortimer ends his piece
I run next door to find Ted Hughes
but there's only a seat still warm from his bum,
slops and a plate of crumbs left by Ted Hughes.
Peter Mortimer follows me into this empty room
says something about the smallness of Ted Hughes
who can't even clear up after himself
but I won't hear a word said against Ted Hughes
especially not by Peter Mortimer, not now
I've tasted what was left by that primeval
barrage balloon of a man Ted Huge.
ASCENSION DAY
To scream with pain, to cry, to summon help, to call generally - all that is described here as "roaring". In Siberia not only bears roar, but sparrows and mice as well. "The cat's got it and it's roaring" they say of a mouse.Three days after his death I stumble Anton Chekov "Across Siberia"
in a daze through the new hospital
to the Chapel of Rest to find my father-in-law.
There's a Gideon's bible open
next to him displaying gold lettering
and he's beneath a blue velvet cloak
with only his head showing.
I didn't expect to see him like this
with thick make-up and teeth bared
like Bela Lugosi's in Dracula. He's roaring
that is, summoning help or calling generally.
I'm lost and for some reason think of the daughter
of the Burgomaster of Leipzig who after the war
committed suicide and was found on a leather sofamouth open, teeth powered with plaster
from the ceiling.
I touch my father-in-law's
body on the forehead and cry out with pain
- this also is described as roaring.